Cixin Liu is China's bestselling science fiction author and one of the most important voices in world SF. His novel, The Three-Body Problem, was the first translated work of SF ever to win the Hugo Award. Here is the first collection of his short fiction: eleven stories, including five Chinese Galaxy Award-winners, form a blazingly original ode to planet earth, its pasts and it...(展开全部)

Cixin Liu is China's bestselling science fiction author and one of the most important voices in world SF. His novel, The Three-Body Problem, was the first translated work of SF ever to win the Hugo Award. Here is the first collection of his short fiction: eleven stories, including five Chinese Galaxy Award-winners, form a blazingly original ode to planet earth, its pasts and it...(展开全部)

The island exists...but the mystery has just begun! The 2017 Eisner-nominated series returns! Mikura Amelia, following her clues and research, sets her floatplane down in the Pacific, waiting for the drifting passage of Electric Island. No sooner does it appear than her GPS goes out...so where is she, and the island, headed? The sun-baked maze of streets and buildings that make...(展开全部)

Colorado, 1864. Star, a young survivor of the Sand Creek Massacre, is brought to the Fort Marion Prison Castle, where he is forced to learn English and practice Christianity by Richard Henry Pratt, an evangelical prison guard who will go on to found the Carlisle Indian Industrial School, an institution dedicated to the eradication of Native history, culture, and identity. A gen...(展开全部)

"Animal Eyes" aims to provide a comprehensive account of all known types of eye. It takes the diversity of optical mechanisms as a framework, but many other aspects of the structure and function of eyes are examined. Visual ecology, for example, the way that eyes are specifically adapted to the lifestyles of the animals that bear them, is another important theme. The 'design ph...(展开全部)

The great 17th-century Dutch artist Rembrandt van Rijn left us so many arresting self-portraits, painted at every stage in his eventful life, that his distinctive face and bearing are a familiar part of the 20th-century cultural landscape, a recognizable presence in galleries across Europe and North America. Nonetheless, the artist himself remains an enigma. Rembrandt was a not...(展开全部)

Marguerite Duras about her films, filming, film aesthetics, cinema and spectators, about Godard, Chaplin, Woody Allen and Tati, Renoir, Bresson and Cocteau, on May 1968, about books in general and about her own books.

Marguerite Duras about her films, filming, film aesthetics, cinema and spectators, about Godard, Chaplin, Woody Allen and Tati, Renoir, Bresson and Cocteau, on May 1968, about books in general and about her own books.

For Rembrandt as for Shakespeare, all the world was indeed a stage, and he knew in exhaustive detail the tactics of its performance: the strutting and mincing; the wardrobe and the face paint; the full repertoire of gesture and grimace; the flutter of hands and the roll of the eyes; the belly laugh and the half-stifled sob. He knew what it looked like to seduce, to intimidate, ...(展开全部)